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The Joy of Manual Focus Lenses on Mirrorless Cameras

Derrick Story
3 min readMar 22, 2021

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While testing the new Fujifilm X-E4, I had a lightning bolt of an idea: how would my Pentax DA prime lenses work on this camera? I have a 21mm, 40mm, and 70mm trio that I just love. If they worked on the X-E4, I could quadruple my optical options for it, and without spending a dime. The only catch would be manual focusing.

Manual focusing… Why do we even pause at the thought? Is autofocus really the only way to go?

Yes, there are situations when I absolutely love the convenience of AF — chasing kids around the yard, camera shy pets, and junior league soccer games are three that come to mind. But there’s life beyond those events. I’m an explorer as well, one who enjoys trekking up the side of a hill or investigating a graffiti-clad alley downtown.

Neither of those situations require an autofocus lens.

Let me present a scenario here. I keep an AF optic on the X-E4 for those quick grab shots when I rip open the backpack, fumble for the camera, switch it on, and shoot the shot (whispering prayers along the way that the subject doesn’t flee during the eternity of this process). In those moments I absolutely love autofocus. The added seconds of having to manual focus could be the difference between a great photo or nothing.

For the Fujifilm X-E4, that optic is the 27mm f/2.8 pancake. It’s a wonderful little lens that gives me a 40mm perspective on the camera’s cropped frame sensor. But man does not live by 40mm alone. (Women have confirmed this theory as well.)

Quick sidebar here — I’d like to take a moment to talk about the Pentax lenses. As a defense lawyer would say to the judge, “I’m going somewhere with this”.

The Pentax DA 21mm f/3.2 is an ultra-compact prime that widens my perspective to a luxurious 31.5mm — that’s smack dab between an often too wide 28mm, but far more roomy than the common 35mm optic. In other words, just right. It’s an autofocus lens, but cannot perform as such when mounted on a non-Pentax camera with an adapter. Fortunately, this optic has an excellent manual focus ring that’s a joy to use.

Meanwhile, the 70mm f/2.4 is one of the coolest lenses I’ve ever shot with. It provides the personality of the legendary Nikon 105mm f/2.5, but at a…

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Derrick Story
Derrick Story

Written by Derrick Story

Photographer, writer, podcaster — www.thedigitalstory.com — Editor of "Live View" on Medium.com.

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